How To Use Keyframes In Vegas Pro To Animate
One of the simplest secrets to making pic magic is the keyframe. It'southward a fundamental element of creating animations, effects, and move graphics. If there is an animated object in a video, information technology is being command by keyframes.
Read on to larn what keyframes are and 10 of the most popular effects you can create with them.
- What is a Keyframe?
- What is Keyframe Blitheness?
- Slow Zoom
- Fast Zoom
- Tracking Motion
- Rotation
- Championship Zoom
- Text Popular
- Championship Reveal Mask
- Moving Lens Flare
- Animated Low-cal Rays
- Mask An Object With PowerDirector
- Create Your own Keyframe Animations
What is a Keyframe?
A keyframe is a indicate (1 frame) on a video timeline where you tell the video editing software a specific properties settings. Some mutual backdrop are calibration, rotation, opacity and volume.
What is Keyframe Animation?
A keyframe blitheness is the shift in a belongings setting in betwixt two keyframes. The idea is to trigger a change to your video that takes place over a sure set up of fourth dimension.
That alter could be a change in magnification or scale (zoom in or out), a change to the framing (moving the image within the frame), rotating the image, a change in the color of the image, fading in or fading out, or a change to the audio.
Nearly whatsoever parameter that you can prepare within the timeline can be animated using keyframes.
For this article we are going to use the free video editor PowerDirector and color grading software ColorDirector for some of our examples. If you already have a video software yous should exist able to apply the principles we become over in your video editors. If you need a video editing or yours doesn't have a characteristic mentioned in this commodity you can download PowerDirector and ColorDirector for free.
Both are available in Manager Suite 365 that also includes PhotoDirector and AudioDirector.
PowerDirector
ColorDirector
Director Suite
Now allow's swoop into some of the nigh mutual keyframe furnishings.
1. Slow Zoom
This is 1 keyframe animation video editors use a lot, and it'due south very uncomplicated to create. First, cull a spot on your timeline where you lot want the zoom to begin. Using the keyframe tool for calibration, ready a keyframe at that spot. Now, move forward in the timeline and fix a 2nd keyframe where you want the zoom to cease. With that 2d keyframe selected, set the calibration you want for the end of the zoom and motion the resulting image within the frame to go the cropping you want. That'south information technology.
Since a slow zoom is just that, tedious, y'all'll want to space those two keyframes appropriately. My rule of thumb is a 10% alter per second. So, if y'all desire to commencement your zoom with the scale at 1.0 (100%, aforementioned size as it was shot) and stop it at 1.5 (150%) scale, place the 2nd keyframe at least 5 seconds ahead on the timeline. Once you see how that looks, y'all can reposition the final keyframe or modify its magnification level to brand it more pleasing.
ii. Fast Zoom
A fast zoom is done exactly the same way as a slow zoom, just the keyframes are much closer together on the timeline, perchance within a one-half-2d to a 2nd. Place your keyframes, choose your final magnification and then play it dorsum to run across if you lot like it.
3. Tracking Move
Using PowerDirector's motion tracking tool is but equally simple as making a keyframe animation. First, add a clip to the timeline and select it past clicking on it. Wait just above the timeline. Click and concord on the "Tools" menu. The popup menu gives you lot several tools to choose from. Select "Motion Tracker." The motion tracker panel will pop up. Information technology contains controls for the move tracker and a viewer for the video clip you selected.
Underneath the viewer, click "Add together a tracker." The tracker, a rectangular box with handles, will appear on your video. Employ the handles to resize the tracker box to fit the object you want to track adequately tightly. At present push the "Track" button to the left of the timeline in the move tracker viewer console. The video prune will curl and your box will at present follow the object you selected. If the box is not following the object closely, try making the box smaller, cropping in on a small surface area of the discipline or a splash of a vivid color.
Now you can apply the tracker to add a title, a video clip or image, or an upshot (like blur, mosaic, or spotlight) to the tracker box. Your title or effect will follow the object you lot tracked. It does this because keyframes are automatically created when yous rails and applied when you click "Ok." Double click on the newly added tracked object on your timeline to open up Title or PiP Designer to see the calibration and position keyframes that were created.
4. Rotation
Using keyframes, you can as well rotate your video image, either the primary prototype or some other video clip, graphic, or text on acme of the chief image. Place the object to be rotated on the timeline. Double click on the timeline of the object you want to rotate to bring up the PiP Designer panel.
In the dialog panel, curlicue down to the Rotation department. The clip at present has crosshairs in the center of a white circle. Notation the arrows on the white circle. Grab a point on this circumvolve and slide your mouse left and right. The object should rotate as you motility the mouse.
Set the object to its initial position and click the diamond icon to set a keyframe at that point in the timeline. Now move ahead to the spot where the rotation will end. Rotate the object to the orientation you want and set a 2nd keyframe. Now play information technology back; the object should rotate smoothly.
You can refine the rotation by adding or subtracting 1/100th caste increments in the numeric dialog of the rotation section of the PiP Designer panel.
Your object is going to rotate around the crosshairs in the circumvolve, which is the heart of the object. However, you can fix the eye of rotation anywhere. Just beneath the rotation controls in the dialog box is another section called "Anchor Point." This sets the center of rotation. Setting the X (left-right) centrality to one.0 moves the centre of rotation to the right border while -1.0 sets it to the left border. Setting the Y (up-down) axis to 1.0 moves the rotation point to the bottom edge, while -ane.0 sets it to the top border. For case, if you had a characterization that you lot wanted to accept swing back and along from its upper right corner, y'all'd fix the rotation anchor point to X=ane.0 and Y=-1.0.
v. Title Zoom
This is i of the nigh basic and simplest keyframe animations. It works exactly like the image zooms above, except instead of scaling the image up or down, you're scaling a title upward or downwards.
Fix a championship by selecting ane in the Title Room and dragging information technology onto your timeline. At present double click the title on the timeline, which volition open the Title Designer dialog panel. Wait up to the top of the panel and select "Advanced." This will make more than settings available.
Scroll down to Object Settings. In this panel, y'all can control the calibration (magnification), position, opacity, and rotation of the title.
To zoom in, cull the point on the timeline where you want the championship to begin zooming. This is easier if you trim the championship on the timeline to the area where y'all want it to be visible. At the offset point of the zoom, click on the keyframe icon to add a keyframe and set up the scale you want to brainstorm with. You tin use the handles around the title to shrink/overstate it, simply when shrinking, you tin't set the scale to less than .4 this way. Using the dialog box or the scale sliders will let you ready information technology to its minimum, which is .2.
Now advance the playhead to the spot where y'all want the zoom to stop. Fix some other keyframe hither. Now, using the handles, dialog box, or sliders, increase the size. The maximum is 10.
vi. Text Pop
Instead of slowly revealing the text using scale, you can pop information technology in. Yous can use keyframes to do this, merely the simplest way is to add your title to the timeline, size it equally you wish, then trim the title on the timeline to the exact spot you desire information technology to appear and disappear. In the space of one frame (one/30th or 1/24th of a 2nd), the title appears out of nowhere, looking like a "popular."
seven. Title Reveal Mask
What if yous want the title to motion in from a location on the screen? Y'all can do that using a Title Reveal Mask. It's one of the options in your Title Designer menu. Set up your clip and a title as above, then double click on the title rail in the timeline to bring up the Title Designer Menu, then scroll down to Championship Reveal Mask.
Click the check box next to Title Reveal Mask at the height of the section. This will add together a mask to your video. The mask volition be outlined by a sparse dotted line and will have handles you lot can use to size and position the mask.
At present position the mask over the title where it will appear once information technology has finished moving on screen. Resize the mask to be just a chip larger than the title.
Scroll to "Object Settings" > "Position" and move the championship outside of the masked surface area. This will "hide" the title. Set a keyframe for the new position of the championship.
Move the playhead to the spot in the timeline where you want the title to come to residue after it is revealed. Ready a keyframe for the title at that bespeak on the timeline and movement the championship into position. Now, the title will move from the "subconscious" expanse into the visible area and be revealed when the clip plays.
viii. Moving Lens Flare
Adding a lens flare to your video tin can be dramatic, and information technology's fifty-fifty more middle-catching if the lens flare moves equally you pan the camera or follow your subject.
To create this issue, open your video prune in ColorDirector. Click on the Effect tab at the elevation of the screen. Choose the Lite Effects department. Under Light Effects, choose the Lens Flare section. In this dialog, you lot tin can pick the type of lens fare you want, its size, brightness, how it blends with the background, position, and more.
Just below the Adjustment tab at the summit of the screen is a clock icon. This is the keyframe editor for ColorDirector. Click to open and a mini timeline will appear, with options to set keyframes for each of the parameters.
Go to the beginning of the clip and ready the size of the lens flare to nothing. Then accelerate the timeline a 2d or two and set the size of the lens flare to a larger number, like 35. At present the lens flare volition outset out invisible, but will "grow" in.
Advance the timeline playhead by five to viii seconds, and drop down to the X position and Y position sliders. Motion those sliders to the correct. This will cause the lens flare to move to the right and down as the timeline plays.
Experiment with changing the other parameters to see how they change the lens flare.
9. Animated Lite Rays
To create animated light rays — streaks of calorie-free that move across the epitome — open a clip in ColorDirector as above and choose Effects > Light Effects > Single Source Lite Rays.
Set the intensity of the rays, the length of the rays, the softness (fix to nada when you're edifice this consequence then y'all can see the rays) and the threshold. As above, click on the keyframe icon (clock) only below the Adjustment tab at the top of the screen. This will open up the keyframe timeline. If y'all desire to first your clip without whatsoever rays, but punch the intensity back to zilch. And so motion forrad a few seconds and increase the intensity. ColorDirector will ready a keyframe and the intensity of the rays will increase as the playhead moves toward that keyframe.
To move the rays beyond the prototype, grab the small sunburst showing on the viewer image. That's the point from which the rays are emanating. If y'all move that sunburst to another role of the image, the rays follow and ColorDirector will gear up a keyframe at the new location. For practice, effort starting the prune with the rays at the far left side of the clip, then moving all the way beyond the frame to the correct edge. When you play back, the rays will move across the frame from left to correct.
10. Mask An Object With PowerDirector
At that place are many reasons you might desire to use masks when making videos. Masking an object allows you to cut it or the things around it out of your video. This allows y'all to combine videos together in a technique called compositing. In that location really is no end to the creative possibilities of compositing.
Masks are useful simply their true power is merely realized when incorporated with keyframes so they tin motility and adapt throughout a clip. Without keyframes, a mask would be static and not very helpful when working with footage with a moving photographic camera or objects.
To create a mask, double click on the prune you want to mask to select information technology, and then go just above the timeline to "Tools." From the pop-up list, choose "Mask Designer." Now you'll get a pop-upwardly panel containing a viewer and a number of controls. You can make a mask from one of the pre-programmed shapes, or you can build your own. If you build your own, you can practice it with text (so that an image appears inside of the text), with the option castor or with the polygon selection tool.
Of these, the mask selection tool is the nigh precise. To apply it, click on its tile in the command panel. Now, a point will appear wherever you lot click within the image. Motility the mouse and select a second point and a blue line connecting the ii points will announced; this is the boundary of the mask. Keep clicking until you've outlined the object yous desire to mask. The terminal point y'all click should exist on summit of the first i; that will complete the border selection. You lot tin can refine the mask by feathering it — fading the transition betwixt the border of the mask and the rest of your image.
Note that, once you complete a selection, PowerDirector places a keyframe icon (diamond) on the mini-timeline in the Mask Designer panel. That shows where your mask will appear. Pressing the diamond to the left of the timeline will add more keyframes. At present you can employ furnishings or parameters to the mask, and they'll fade in or out as the playhead moves between the keyframes.
Experiment with discipline matter and effects. Shoot a closeup of eyes, and then supervene upon the pupils with an unnatural glowing red color. As your subject moves, utilise the keyframes to move the mask in sync with the bailiwick.
Mask An Object With ColorDirector
ColorDirector besides lets yous mask objects for regional colour correction and grading or creating a green screen to remove sections of footage with chroma key. At that place are 4 masks types to choose from: Pick, Castor, Gradient, and Radial. All of these masks can be controlled with keyframes but the Brush Mask has tracking. This means you tin can highlight an object and have ColorDirector rail its movement through your video.
Once you have tracked your object you can go dorsum and refine your mask with keyframes. This is definitely one of the well-nigh straightforward and easiest tools for creating masking available. The best function of the brush mask is beingness able to plow on the "Green/Bluish Screen Maker" and instantly add a light-green screen to your video.
Vertigo Consequence
Named for the Alfred Hitchcock film in which information technology first appeared, this event is done by combining a dolly shot (moving the photographic camera forward or backward smoothly) with a zoom. The dolly shot can exist created using an actual dolly, or you tin can apply a drone, a wheelbarrow, a lawnmower — anything with wheels that yous tin can mount a camera on that can exist moved. Here's what information technology looks like:
Beginning, create your dolly shot. In PowerDirector, combine that with a keyframed zoom of the epitome. If your dolly shot is toward the bailiwick, zoom out ( that is, reduce the calibration of the paradigm during the clip). If your dolly shot moves away from the subject field, zoom in (increase the scale of the image). The opposing motions of the subject and the background are visually disorienting and can be quite striking.
Create Your Ain Keyframe Animations
Keyframe animations are an like shooting fish in a barrel way to add interest to your videos. They're uncomplicated to do and can add a bit of big-budget glitz to whatever you lot're producing.
Download PowerDirector and ColorDirector to effort out the techniques you learned in this commodity.
Both are available in Director Suite 365 which is a complete editing studio for video, photo and sound.
PowerDirector
ColorDirector
Manager Suite
If you lot're an aspiring editor looking to create cool videos, head on over to our complete guide on video editing effects. We've also got other bang-up manufactures in our blog that'll introduce you to all the tools you need to heighten your portfolio.
Source: https://www.cyberlink.com/blog/cool-video-effects/74/what-is-keyframe-animation
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